I was sipping my morning coffee in my Sydney apartment when my phone buzzed – WINNER’s leader Kang Seung-yoon just dropped his second studio album《PAGE 2》on QQ Music. My heart literally skipped a beat. I immediately clicked the link, ready to dive into his new musical journey… only to be greeted by that dreaded ‘This content is not available in your region’ message.
You know that feeling when you’re so close yet so far? That was me, staring at my screen while my fellow WINNER fans in China were already streaming《ME (美)》and leaving comments for a chance to win signed albums. The worst part? Kang Seung-yoon himself was scheduled to appear in the comments section on November 7th at 4 PM – exactly when I’d be preparing for my night shift here in Australia.
I remember back in college in Seoul, I could literally walk to music shows and see WINNER perform live. Now? I can’t even stream their new album without jumping through digital hoops. My WINNER light stick sits on my shelf, gathering dust while I refresh the page hoping for a miracle.
What makes it extra frustrating is reading about how《PAGE 2》represents Kang Seung-yoon exploring new dimensions of his artistry. From《PAGE》to《PAGE 2》, he’s breaking boundaries in his music while I’m stuck behind geographical boundaries. The irony isn’t lost on me.
My friend in Toronto messaged me yesterday – she managed to get through using her cousin’s account back in China. She described how Kang’s voice in the new title track has this raw, emotional quality that hits different. Meanwhile, I’m over here watching low-quality fan cams on YouTube like some digital beggar.
The timing couldn’t be worse either. Kang Seung-yoon’s comment section appearance is during my work hours. While Chinese fans are getting personalized greetings, I’ll probably be in a meeting discussing quarterly reports. Sometimes I wonder if my K-pop stan life and my adulting life are destined to never sync up.
Don’t even get me started on the buffering issues. The few times I’ve managed to access regional-restricted content, the video quality looks like it’s from 2005. Kang Seung-yoon’s beautiful high notes deserve better than pixelated streaming!
So here I am, an overseas WINNER fan since their debut, missing out on yet another milestone. If you’re reading this from abroad and facing the same struggles, drop a comment below – what’s the K-pop content you’ve been desperately trying to access lately? Maybe we can start a support group for geographically-challenged K-pop fans!
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